Paul Robeson, a beloved comm​​unist

Paul Robeson, world-famous actor, singer, and fighter against racism and for communism, was born 125 years ago today, in Princeton, New Jersey.

Many are celebrating Robeson's birthday. But very few of them mention that Roberson was a communist. Only the anticommunists say it (e.g. the Washington Post, February 19, 2019).

In fact, Robeson was a "Stalinist" -- an admirer of Joseph Stalin as the leader of the worldwide communist movement and of the Soviet Union, where racism was outlawed.

Stalin was the last Soviet leader who insisted that socialism (as it was then understood) must steadily advance towards communism. He was working towards that goal after World War II. The Soviet advance towards communism was ended under Stalin's dishonest successor, Nikita Khrushchev, and Khrushchev's successors. The last of these successors, Mikhail Gorbachev, paved the war for the restoration of full-blown capitalism in 1991.

Immediately after Stalin died, on March 5, 1953, Robeson wrote this tribute to him. These last lines, quoted from another author, make it clear that Robeson looked forward to communism:

To you Beloved Comrade, we make this solemn vow
The fight will go on - the fight will still go on.
Sleep well, Beloved Comrade, our work will just begin.
The fight will go on - till we win - until we win.
* * * * *
To You Beloved Comrade
by Paul Robeson

There is no richer store of human experience than the folk tales, folk poems and songs of a people. In many, the heroes are always fully recognizable humans - only larger and more embracing in dimension. So it is with Russian, Chinese, and African folk-lore.

In 1937, a highly expectant audience of Moscow citizens - workers, artists, youth, farmers from surrounding towns - crowded the Bolshoi Theater. They awaited a performance by the Uzbek National Theater, headed by the highly gifted Tamara Khanum. The orchestra was a large one with instruments, ancient and modern. How exciting would be the blending of the music of the rich culture of Moussorgsky, Tchaikovsky, Prokofiev, Shostakovich, Khrennikov, Gliere - with that of the beautiful music of the Uzbeks, stemming from an old and proud civilization.

Suddenly everyone stood - began to applaud - to cheer - and to smile. The children waved.

In a box to the right - smiling and applauding the audience - as well as the artists on the stage - stood the great Stalin.

I remember the tears began to quietly flow. and I too smiled and waved. Here was clearly a man who seemed to embrace all. So kindly - I can never forget that warm feeling of kindliness and also a feeling of sureness. Here was one who was wise and good - the world and especially the socialist world was fortunate indeed to have his daily guidance. I lifted high my son Pauli to wave to this world leader, and his leader. For Paul, Jr. had entered school in Moscow, in the land of the Soviets.

The wonderful performance began, unfolding new delights at every turn - ensemble and individual, vocal and orchestral, classic and folk-dancing of amazing originality. Could it be possible that a few years before in 1900 - in 1915 - these people had been semi-serfs - their cultural expression forbidden, their rich heritage almost lost under tsarist oppression's heel?

So here one witnessed in the field of the arts - a culture national in form, socialist in content. Here was a people quite comparable to some of the tribal folk of Asia - quite comparable to the proud Yoruba or Basuto of West and East Africa, but now their lives flowering anew within the socialist way of life twenty years matured under the guidance of Lenin and Stalin. And in this whole area of development of national minorities - of their relation to the Great Russians - Stalin had played and was playing a most decisive role.

I was later to travel - to see with my own eyes what could happen to so-called backward peoples. In the West (in England, in Belgium, France, Portugal, Holland) - the Africans, the Indians (East and West), many of the Asian peoples were considered so backward that centuries, perhaps, would have to pass before these so-called "colonials" could become a part of modern society.

But in the Soviet Union, Yakuts, Nenetses, Kirgiz, Tadzhiks - had respect and were helped to advance with unbelievable rapidity in this socialist land. No empty promises, such as colored folk continuously hear in the United States, but deeds. For example, the transforming of the desert in Uzbekistan into blooming acres of cotton. And an old friend of mine, Mr. Golden, trained under Carver at Tuskegee, played a prominent role in cotton production. In 1949, I saw his daughter, now grown and in the university - a proud Soviet citizen.

Today in Korea - in Southeast Asia - in Latin America and the West Indies, in the Middle East - in Africa, one sees tens of millions of long oppressed colonial peoples surging toward freedom. What courage - what sacrifice - what determination never to rest until victory!

And arrayed against them, the combined powers of the so-called Free West, headed by the greedy, profit-hungry, war-minded industrialists and financial barons of our America. The illusion of an "American Century" blinds them for the immediate present to the clear fact that civilization has passed them by - that we now live in a people's century - that the star shines brightly in the East of Europe and of the world. Colonial peoples today look to the Soviet Socialist Republics. They see how under the great Stalin millions like themselves have found a new life. They see that aided and guided by the example of the Soviet Union, led by their Mao Tse-tung, a new China adds its mighty power to the true and expanding socialist way of life. They see formerly semi-colonial Eastern European nations building new People's Democracies, based upon the people's power with the people shaping their own destinies. So much of this progress stems from the magnificent leadership, theoretical and practical, given by their friend Joseph Stalin.

They have sung - sing now and will sing his praise - in song and story. Slava - slava - slava - Stalin, Glory to Stalin. Forever will his name be honored and beloved in all lands.

In all spheres of modern life the influence of Stalin reaches wide and deep. From his last simply written but vastly discerning and comprehensive document, back through the years, his contributions to the science of our world society remain invaluable. One reverently speaks of Marx, Engels, Lenin and Stalin - the shapers of humanity's richest present and future.

Yes, through his deep humanity, by his wise understanding, he leaves us a rich and monumental heritage. Most importantly - he has charted the direction of our present and future struggles. He has pointed the way to peace - to friendly co-existence - to the exchange of mutual scientific and cultural contributions - to the end of war and destruction. How consistently, how patiently, he labored for peace and ever increasing abundance, with what deep kindliness and wisdom. He leaves tens of millions all over the earth bowed in heart-aching grief.

But, as he well knew, the struggle continues. So, inspired by his noble example, let us lift our heads slowly but proudly high and march forward in the fight for peace - for a rich and rewarding life for all.

In the inspired words of Lewis Allan, our progressive lyricist -

To you Beloved Comrade, we make this solemn vow
The fight will go on - the fight will still go on.
Sleep well, Beloved Comrade, our work will just begin.
The fight will go on - till we win - until we win.

Art for antiracists: Langston Hughes and the Spanish Civil War

Langston Hughes, a major 20th-century literary figure, moved significantly to the left in the mid-1930s—as a poet, playwright, and journalist. At a time when imperialist fascism in Italy and Germany brought on the invasion of Ethiopia (1935-37) the Spanish Civil War (1936-39), and eventually World War II (1939-1945), Hughes became one of the world’s leading communist and antiracist voices.

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1930s: Langston Hughes, major poet of the communist movement

The previous issue of CHALLENGE (3/3) remembered Langston Hughes as a writer sharply critical of Jim Crow segregation during World War II and as a poet for the U.S. working class—particularly Black workers. Now we’ll flash back to the 1920s and 1930s, the period when Hughes became an advocate for multiracial, anti-capitalist revolution.  
A tradition of antiracist fightback ran deep in Hughes’s family history. In 1858, his maternal grandmother, Mary Langston, married Lewis Leary, an abolitionist who died in John Brown’s 1859 raid in Harper’s Ferry. Her second husband, Charles Howard Langston, was an educator and ardent abolitionist.
Hughes’s influences
According to his biographer Arnold Rampersad, young Langston Hughes was influenced by the poetry of Walt Whitman, Carl Sandburg, Paul Laurence Dunbar, and Claude McKay, along with the work of W.E.B. Du Bois, the antiracist, pro-communist writer and historian. In June 1921, Hughes’ poetry was published for the first time in a professional journal. “The Negro Speaks of Rivers” came out in The Crisis, the journal of the NAACP.

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1940s Langston Hughes: Antiracist writer & communist

This is part one of a three-part series on Hughes.

Langston Hughes was the premier 20th-century poet for the U.S. working class, and particularly Black workers. He spoke to their dreams of a world without racism and the harsh realities of Jim Crow and pervasive segregation. Born in 1901 in Joplin, Missouri, and raised in the Midwest, Hughes spent his early 20s attending colleges, working on ships, and traveling through West Africa and Europe. He became one of the leading artists of the Harlem Renaissance in the 1920’s, when writers, musicians, painters, sculptors, actors, historians, sociologists, and activists made Harlem a dynamic center for culture and politics. Even the Depression of the 1930’s could not dampen this creative environment for Black artists, thinkers, and organizers. 

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